Mics albert

Full throttle peak time big party tune from the 1200 boys..and a tribute to the great Albert Hofmann..
A Mic for All Seasons is his chronicle of a charmed yet unlikely journey, from a youth spent calling games in his bedroom for a fictitious.
On opening the box I was impressed with the build quality and feel of these pencil condenser mics.

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Austrian Audio mics on stage at Royal Albert Hall in London

How Griff Hewis discovered the CC8’s

Griff Hewis has been involved in Professional Audio for over 20 years since graduating from Kingston University with a degree in Music Technology. He played the trumpet and piano from an early age but decided to pursue sound engineering as a career combining his love of music and electronics/technology.

Hewis is regularly seen on Front of House duties for concerts and events around the UK and has worked with many of the UK’s leading orchestras and bands such as the Royal Philharmonic Orchestra, HM Royal Marines Band, BBC Symphony and Concert Orchestras. He has worked on major events such as London 2012 and Sochi 2014 Olympic Games, BBC Proms and BBC New Years Eve Broadcasts. Griff also owns a growing pool of equipment to support his engagements in playback/recording and sound reinforcement.

Always on the lookout for interesting new microphones, Griff discovered Austrian Audio via a webinar for the Institute of Professional Sound, where he is a director and was immediately i

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Albert Einstein and the Microphone Mystery

My story begins with a microphone. The Austrian Audio OC18 to be exact.

It’s a microphone I called “an instant classic.” This mic is mostly handmade in Vienna by people who used to work at AKG.

Click here for my impressions.

I’m not the only blogger who fell in love with this new microphone. Do a quick online search, and you’ll be hard-pressed to find one bad review. No matter what you throw at it, the OC18 performs extraordinarily well. I think it offers exceptional value for money, especially for vocal applications.

Inspired by my review, A Dutch colleague decided to take the plunge and order one. A week or so ago, he got in touch with me to say that he was disappointed in the OC18. He said he’d expected “a more beefy sound.”

He sent some sound samples of his new mic to two audio engineers in Amsterdam. One of them really liked what he heard and said that the OC18 made it easier to edit the recording in post. The other disagreed, and said that he had to add more bells and whistles to make it sound good, compared to th

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