Lois mailou jones art style

Artist

born Boston, MA 1905-died Washington, DC 1998

Biography

Now in her eighth decade as an artist, Lois Mailou Jones has treated an extraordinary range of subjects—from French, Haitian, and New England landscapes to the sources and issues of African-American culture. The scope of her rigorous training in Boston, New York, Paris, Italy, and Africa is equally evident in her costumes, textile designs, watercolors, paintings, and collages.

In Les Fetiches, [SAAM, 1990.56] an ensemble of African figurative fetishes and masks hovers in space-divorced from any sense of ceremony, display, or storage. The masks have assumed a life of their own, capturing the electrifying magic associated with ritualistic objects. Although often created to conceal identity, masks are equally effective projections or revela

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Loïs Mailou Jones

Biography

Loïs Mailou Jones (1905-1998) was a prolific American artist, educator, and champion and mentor of African American artists. An influential figure of the Harlem Renaissance movement, Jones was highly educated and actively engaged in her work from an early age. She was skilled in a variety of art forms including costume creation, textile designs, watercolors, paintings, and collages, and her extensive travels enriched her style. She served on Howard University’s art faculty for nearly fifty years.[1]

Born in Boston, Massachusetts, Jones’ parents encouraged her to draw and paint using watercolors. Her father, Thomas Vreeland, was the first African American to earn a law degree from Boston’s Suffolk Law School and her mother, Carolyn Jones, was a cosmetologist. Jones attended the High School of Practical Arts in Boston and took night classes at the School of the Museum of Fine Arts, Boston. At the age of seventeen, Jones held her first solo exhibition in Martha’s Vineyard where her parents owned a home.[2]

Soon after

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Visual artist Lois Mailou Jones was born in 1905 in Boston, Massachusetts to Thomas Vreeland and Carolyn Dorinda Jones. Her father was a superintendent of a building and later became a lawyer, her mother was a cosmetologist. Early in life Jones displayed a passion for drawing, and her parents encouraged this interest by enrolling her in the High School of Practical Arts in Boston where she majored in art. In 1927, Jones graduated with honors from the Boston Museum of Fine Arts and continued her education at the Boston Normal School of Arts and the Designers Art School in Boston.

A year later, Jones formed and chaired the art department at Palmer Memorial Institute, an all-black prep school in North Carolina. In 1928, she accepted a position at Howard University in Washington, D.C. where her art courses helped shape the careers of notable artists Elizabeth Catlett

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