Sabato visconti photography

How old is sabato visconti
Sabato visconti glitch photography
Sabato Visconti (born 1985, São Paulo, Brazil) is a photographer, glitch artist and illustrator living in Western Massachusetts, USA.

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“Cybergunk 2077” is a series of game photographs capturing the glitches found in a Day 1 release of “Cyberpunk 2077” played on an NVIDIA GTX1080 GPU. Glitches in this series were all “farmed in the wild,” meaning that no outside processes were used to induce the glitches, they were all part of the Day 1 source code, and captured using screen recorders or the game’s photo mode.

“Ecco the Dolphin: Extinction (Vol. 03)” and “There are Things You Can’t Out Run” are a series of glitched game performances presented as looping animated GIFs. Emulated ROMs from two classic Sega Genesis games, “Ecco: The Tides of Time” and “Out Run” were taken and glitched using a byte-replacing databending script. Glitched ROMs were played and recorded to create alternate narratives from these classic games.

“The Offshore Firm” tells the story of a shadowy wealth management firm that facilitates the free circulation of capital in a world of globalized finance. The series is composed of metarealistic game photography depicting hypercorporate, antisocial, and sometimes liminal virtual environments

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Sabato Visconti

Sabato Visconti is an award-winning new media artist and photographer based n Western Massachusetts. Born in São Paulo, Brazil, and raised in Miami, he went on to earn a B.A. in Political Science from Amherst College. Sabato’s work looks to reconfigure understandings of photography and digital media by examining subjects caught inside systems that malfunction and decay.

In 2011, Sabato began experimenting with glitch processes in photographic media. Since then, his work with glitch and digital media has been exhibited throughout the world, including spaces like Tate Britain, ICA Boston, The SPRING/BREAK Art Show, LACDA, and the FILE Festival. His work has also appeared in TIME, Vogue,WIRED, The New York Times, AI-AP’s “Latin American Fotografia 4” Anthology, and in Photographer’s Forum’s annual “Best of Photography” books for eight straight years. Sabato’s series DACALOGUE, which explores immigration media through the DACA program, will be on view at the Stamps Gallery at the University of Michigan, as part of their “Border Contr

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