Fra bartolommeo biography
- Biography.
- Was an Italian Renaissance painter of religious subjects.
- Fra Bartolommeo (born March 28, 1472, Florence [Italy]—died Oct. 31, 1517, Florence) was a painter who was a prominent exponent in early 16th-century Florence.
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Fra Bartolomeo
Italian Renaissance painter (1472–1517)
Fra Bartolomeo or BartolommeoOP (, , Italian:[bartolo(m)ˈmɛːo]; 28 March 1472 – 31 October 1517), also known as Bartolommeo di Pagholo,Bartolommeo di San Marco,Paolo di Jacopo del Fattorino, and his original nickname Baccio della Porta, was an Italian Renaissance painter of religious subjects. He spent all his career in Florence until his mid-forties, when he travelled to work in various cities, as far south as Rome. He trained with Cosimo Rosselli and in the 1490s fell under the influence of Savonarola, which led him to become a Dominicanfriar in 1500, renouncing painting for several years. Typically his paintings are of static groups of figures in subjects such as the Virgin and Child with Saints.[3]
He was instructed to resume painting for the benefit of his order in 1504, and then developed an idealized High Renaissance style, seen in his Vision of St Bernard of that year, now in poor condition but whose "figures and drapery move with a seraphic grace that must have struck the yo
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Fra Bartolommeo
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An Italianpainter and a member of the Dominican Order, b. in 1475 in the territory belonging to Florence, d. at Florence in 1517. He bore the worldly name of Bartolommeo di Pagholo del Fattorillo and was called, more familiarly, Baccio della Porta, the nickname being a reference to the circumstances of his family. His work as a painter characterizes the transition of the Renaissance from its early period to the time of its greatest splendour. In 1484 he entered the studio of Cosimo Rosselli one of whose pupils at the same time was a lad of about Bartolommeo's age, Mariotto Albertinelli. The friendship between Bartolommeo and the somewhat more worldly Albertinelli caused the two to form a business partnership in 1490 which lasted until 1312. At times the two friends were estranged on account of Bartolommeo's admiration for Savonarola.
Bartolommeo
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Biography
Florentine painter. After training with Cosimo Rosselli, he was deeply influenced by the preaching of Savonarola and entered the Dominican Order in 1500, giving up painting until 1504. His original name was Baccio della Porta, but he changed his name to Fra Bartolomeo when he became a Dominican friar. From then until 1508 he developed parallel with Raphael - though Raphael's was the more imaginative genius - each contributing something to the new High Renaissance type of Madonna with Saints, in which the figure of the Madonna acts not merely as a centre but as a pivot about which the whole composition turns. The two artists also evolved a new treatment, first adumbrated by Leonardo, of the theme of the Madonna and Child with the Infant St John in a Landscape. Raphael, Michelangelo, and Leonardo had all left Florence by 1509 and in the second decade of the century Fra Bartolommeo was rivalled only by Andrea del Sarto as the leading painter in the city, which he left only briefly for visits to Venice in 1508 and Rome in 1514. His style acquired a solemn restraint and mo
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