Ayumi hamasaki kids
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Ayumi Hamasaki
Japanese singer, songwriter, and actress (born 1978)
Ayumi Hamasaki | |
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Hamasaki in Ningbo, China (2024) | |
| Born | Ayumi Hamasaki (濱﨑 歩) (1978-10-02) October 2, 1978 (age 46) Fukuoka, Fukuoka Prefecture, Japan |
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| Spouses | Manuel Schwarz (m. 2011; div. 2012)Tyson Bodkin (m. 2014; div. 2016) |
| Children | 2 |
| Musical career | |
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| Website | www.avex.jp/ayu |
Musical artist | |
Ayumi Hamasaki (浜崎あゆみ, Hamasaki Ayumi, born October 2, 1978) is a Japanese singer-songwriter and producer. Nicknamed the "Empress of Pop" on account of her influence throughout Asia, she is widely recognized for her versatile music production, songwriting, and live performances. Hamasaki is the best-selling solo artist in Japan, and a cultural icon of the Heisei era.
Born and raised in Fukuoka,
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Ayumi Hamasaki
SINGER
1978 - Today
Ayumi Hamasaki
Ayumi Hamasaki (浜崎あゆみ, Hamasaki Ayumi, born October 2, 1978) is a Japanese singer-songwriter and producer. Nicknamed the "Empress of Pop" on account of her influence throughout Asia, she is widely recognized for her versatile music production, songwriting, and live performances. Read more on Wikipedia
Since 2007, the English Wikipedia page of Ayumi Hamasaki has received more than 2,353,109 page views. Her biography is available in 54 different languages on Wikipedia (up from 53 in 2019). Ayumi Hamasaki is the 980th most popular singer (down from 918th in 2019), the 1,068th most popular biography from Japan (down from 1,007th in 2019) and the 4th most popular Japanese Singer.
Memorability Metrics
2.4M
Page Views (PV)
57.17
Historical Popularity Index (HPI)
54
Languages Editions (L)
3.59
Effective Languages (L*)
4.67
Coefficient of Variation (CV)
Among SINGERS
Among singers, Ayumi Hamasaki ranks 980 out of 4,381. Before her are Blind Lemon Jefferson, Alejandro Sanz,
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Ayumi Shigematsu (b. 1958) is a celebrated ceramic artist who belongs to a pioneering generation of highly influential post-war women artists in Japan. She studied with Suzuki Osamu (1926-2001) at the Kyoto University of Arts and as pioneer for women in a historically male-dominated pottery industry in Japan, she went on to work as one of few female professors teaching ceramic practice at her alma mater. Having studied with the pioneer of the Sodeisha ceramic movement, her propensity for sculptural rather than functional clay forms reflect key Sodeisha tenets. Formed in opposition to the folk-craft movement of Mingei, which was the dominant ceramic philosophy during the 20th century, Sodeisha sought to engage with questions regarding the relationship between ceramic aesthetics and their production, as well as the potter’s professional identity as an individual artist or a craftsperson. They use ceramic production in the context of high art to create forms distinct from inherited antique clay traditions.
While Shigematsu’s sculptural forms and artistic process
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