Vittorio zecchin biography

Vittorio Zecchin (1878–1947) was.
Vittorio Zecchin (born May 21, 1878, Murano, Italy–died April 15, 1947, Murano, Italy) was an influential Italian painter, tapestry maker.
Biography.

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Vittorio Zecchin Biography

Vittorio Zecchin (Murano, 21 May 1878 – Murano, 15 April 1947) was an Italian artist. Son of a Murano glass technician, Luigi graduated from the Academy of Fine Arts in Venice. Intolerant of the late nineteenth-century realist culture that he encountered here, he felt rather attracted by the stimuli offered by the Venetian Biennials which he attended, coming into contact with symbolist research and the environment of the Viennese Secession. In 1914 he presented at the XI Biennale, together with the painter Teodoro Wolf Ferrari, some glass made at the Barovier glassworks. After 1918 he favored the applied arts. From 1921 to 1925 he was the artistic director of the Vetri Soffiati Muranesi Cappellin Venini & C. company for which he created classical pieces in light glass and delicate colours; inspired by the 16th century painting style of Venetian painters, these vases were the first examples of modern Murano glass work. Having concluded his experience with Cappellin Venin

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Vittorio Zecchin

Vittorio Zecchin(born May 21, 1878, Murano, Italy–died April 15, 1947, Murano, Italy) was an influential Italian painter, tapestry maker, furniture designer, and glass designer. Zecchin attracted critics and clientele of the time with his glass designs that simultaneously evoked ancient and Renaissance styles while also instilling a new modern sensitivity. Zecchin became an influential figure in the conversation among Italian artists and designers inspired by the avant-garde sentiment in Venice during the early years of the 20^th century.

Born on the island of Murano, just outside of Venice, renowned as Italy’s artistic glassmaking center, Zecchin earned early exposure to the art of glassmaking as his father, Luigi, was a glassblower himself. While he developed an early passion for the medium, Zecchin disliked the heavy ornamental styles that dominated late 19^th century and turn-of-the-century art and design.

In 1896, Zecchin enrolled at the Accademia di Belle Arti di Venezia to study art, but after five years he faced an emotional crisis and decided t

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Vittorio Zecchin (1878–1947) was born on the island of Murano near Venice. For centuries, Murano was the centre of the European glass industry and enjoys legendary fame even today. Zecchin studied painting at the Academy of Fine Arts in Venice. At the start of his career, he was still very much influenced by the Art Nouveau style. His paintings, strongly oriented towards ornamentation and detail, are reminiscent of works by Gustav Klimt. Even when he began designing glass objects in 1914, Zecchin was initially guided by those same principles.

His formal orientation changed when he began working for the Vetri Soffiati Muranesi Cappellin Venini & C. company, founded in 1921 by the antique dealer Giacomo Cappellin and lawyer Paolo Venini. Vittorio Zecchin was the company’s artistic director until 1926. His designs dispense with ornamentation almost entirely; their appeal lies in their crisp outlines and the translucid monochrome colours of the glass vessels.

Zecchin took some of his inspiration from sixteenth and seventeenth-century models. His adaptation of a vase in colourle